 |
 |
|
|
<< Back to Stoplists
West Gallery Organ: Hutchings-Votey Op. 1623 (1907)
St. James Cathedral, Seattle
Console and electrical restoration: Marceau & Associates (1996)
GREAT |
|
CHOIR (expressive) |
16’ |
Diapason |
|
16’ |
Dulciana |
8’ |
Diapason I |
|
8’ |
Diapason |
8’ |
Diapason II |
|
8’ |
Concert Flute |
8’ |
Gross Flute* |
|
8’ |
Gamba |
8’ |
Doppel Flute* |
|
8’ |
Viola |
8’ |
Gamba* (Choir) |
|
8’ |
Vox Celestis |
8’ |
Dulciana* (Choir ext.) |
|
4’ |
Flute d'Amour |
4’ |
Octave |
|
2’ |
Piccolo |
4’ |
Harmonic Flute* |
|
8’ |
Clarinet |
2-2/3’ |
Twelfth* |
|
|
Tremolo |
2’ |
Fifteenth |
|
|
|
2-2/3 |
Mixture III* |
|
|
|
8’ |
Trumpet* |
|
|
|
4’ |
Clarion* |
|
|
|
|
* Enclosed in Choir |
|
|
|
|
|
|
|
|
SWELL |
|
SOLO |
|
16’ |
Bourdon |
|
8’ |
Stentorphone |
8’ |
Diapason |
|
8’ |
Philomela |
8’ |
Stopped Diapason |
|
4’ |
Harmonic Flute |
8’ |
Quintadena |
|
8’ |
Tuba Mirabilis |
8’ |
Salicional |
|
|
Chimes |
8’ |
Unda Maris |
|
|
|
4’ |
Octave |
|
PEDAL |
4’ |
Flauto Traverse |
|
32’ |
Bourdon (extension) |
2-2/3’ |
Nasard |
|
16’ |
Diapason |
2’ |
Flautino |
|
16’ |
Violone |
2’ |
Dolce Cornet V |
|
16’ |
Bourdon |
16’ |
Contra Fagotto |
|
16’ |
Lieblich Gedackt (Swell Stopped Diapason) |
8’ |
Cornopean |
|
16’ |
Dulciana (Choir) |
8’ |
Oboe |
|
10-2/3’ |
Quint (extension of Bourdon) |
4’ |
Clarion |
|
8’ |
Flute (extension of Diapason) |
8’ |
Vox Humana |
|
8’ |
Violoncello (extension) |
|
Tremolo |
|
32’ |
Contra Bombarde (ext. to low BBBBB) addition by Rosales |
|
|
|
16’ |
Bombarde |
|
|
|
16’ |
Trombone |
Master Expression (optional tandem control of both organs’ swell boxes)
All Swells to Swell
Rosales Console General Cancel (thumb piston)
"Rosales On" (drawknob)
46 stops/57 speaking stops, 52 ranks
East Apse Organ: Rosales Opus 30 (2000)
GRAND-ORGUE (Man. II) |
|
RÉCIT EXPRESSIF (Man. III or I) |
16’ |
Montre (façade) |
|
16’ |
Bourdon |
8’ |
Montre (façade) |
|
8’ |
Diapason |
8’ |
Bourdon |
|
8’ |
Flute traversière |
8’ |
Flûte douce |
|
8’ |
Viole de gambe |
8’ |
Flûte celeste (low E) |
|
8’ |
Voix céleste (low C) |
4’ |
Prestant |
|
4’ |
Octave |
4’ |
Flûte conique |
|
4’ |
Flûte octaviante |
2-2/3 |
Quinte |
|
2-2/3’ |
Nasard |
2’ |
Doublette |
|
2’ |
Octavin |
|
Plein jeu IV-V |
|
1-3/5’ |
Tierce |
16’ |
Contre basson |
|
|
Plein jeu harmonique II-IV |
8’ |
Trompette |
|
8’ |
Trompette |
4’ |
Clairon |
|
8’ |
Hautbois |
|
Trémolo |
|
8’ |
Voix humaine |
|
|
|
|
Trémolo |
|
|
|
|
|
SOLO EXPRESSIF (Man. IV or I) |
|
PÉDALE |
16’ |
Flûte en façade (Péd. Soubasse) |
|
32’ |
Bourdon (Soubasse, low 12 West Gallery) |
8’ |
Violoncelle |
|
16’ |
Montre (G-O) |
8’ |
Flute harmonique |
|
16’ |
Soubasse |
4’ |
Octave |
|
16’ |
Bourdon (Récit) |
|
Cornet V |
|
8’ |
Octave (façade) |
8’ |
Trompette |
|
8’ |
Flûte (Solo) |
8’ |
Clarinette |
|
8’ |
Violoncelle (Solo) |
4’ |
Clairon |
|
8’ |
Basse (extension) |
|
Trémolo |
|
4’ |
Flûte en facade |
|
|
|
32’ |
Contra Bombarde (West Gallery ext.) |
|
|
|
16’ |
Bombarde |
|
|
|
16’ |
Bombarde (West Gallery) |
|
|
|
16’ |
Basson (G-O) |
|
|
|
8’ |
1ère Trompette (extension) |
|
|
|
8’ |
2ème Trompette (Solo) |
|
|
|
4’ |
Clairon (Solo) |
Percussion: Clochettes (eight bells), Rossignol (2 pipes in water)
Master Expression (optional tandem control of both organs’ swell boxes)
Coupler tablets: "Hutchings-Votey On," "Rosales Off," Rosales inter- and intra-manual couplers, Hutchings-Votey inter-manual couplers
38 stops/49 speaking stops, 49 ranks
|
 |
|
